Start with a clear concept: Before you start creating your motion graphics, ensure that you have a clear concept of what you want to achieve. This will help you stay focused and produce a more cohesive and effective piece. Use typography creatively: Typography can be a powerful tool in motion graphics, so be creative with it. Experiment with different font styles, sizes and colors to create visual interest and add meaning to your work. Use color effectively: Color is a key element in motion graphics, and it can be used to create mood, draw attention, and communicate information. Use color effectively by choosing a limited palette that works well together, and by using color to reinforce your concept. Utilize negative space: Negative space, or the space around and between elements in a design, can be just as important as the positive space. Use negative space effectively to create a sense of balance, draw attention to important elements, and add visual interest to your work. Incorporate animation: Animation can add life to your motion graphics and make them more engaging. Experiment with different types of animation to find what works best for your project, and use animation to reinforce your concept and bring your message to life. Make use of sound: Sound can be a powerful tool in motion graphics, adding depth and dimension to your work. Use sound effectively by choosing music and sound effects that complement your visuals and help reinforce your concept. Use storytelling techniques: Storytelling techniques, such as character development and narrative arcs, can help you create compelling motion graphics that are more memorable and effective. Consider using these techniques to tell a story that supports your message. Keep it simple: Simple designs often have the greatest impact. Avoid clutter and keep your designs uncluttered and easy to understand, using clean lines, simple shapes, and a minimalist color palette. Experiment with different styles: There are many different styles of motion graphics, from 2D animation to 3D graphics. Experiment with different styles to find what works best for your project and to add visual interest to your work. Be consistent: Consistency is key in motion graphics. Ensure that your designs are consistent in terms of style, typography, color, and animation, to create a cohesive and effective piece. In conclusion, these are just a few of the many tactics that you can use to create winning motion graphics in 2023. The key is to experiment, find what works best for your project, and to always be creative and innovative in your approach #MotionGraphics #Animation #Knowledge

Graphic design is a constantly evolving field, and to be successful as a graphic designer, it's essential to continually develop and refine your skills. Here are 10 essential graphic design skills that every designer should have: Typography: Typography is the art and technique of arranging type to make written language legible, readable, and appealing when displayed. A strong understanding of typography is essential for creating effective and aesthetically pleasing designs. Color theory: Color has a powerful impact on how we perceive and respond to design, so it's important for designers to have a strong understanding of color theory. This includes knowledge of color wheel, color combinations, and color psychology. Composition: Composition refers to the arrangement of visual elements within a design. Good composition can help convey a message and guide the viewer's eye through the design. Understanding of design principles: Design principles such as balance, contrast, and repetition play a crucial role in creating effective designs. A good designer should have a strong understanding of these principles and know how to apply them to their work. Software proficiency: To be a successful graphic designer, it's important to be proficient in industry-standard design software such as Adobe Creative Cloud (Photoshop, Illustrator, and InDesign). Problem-solving skills: Design is often about solving problems and coming up with creative solutions. A designer should have strong problem-solving skills and be able to think outside the box to find innovative solutions. Attention to detail: Graphic design often involves working with small details, so it's essential for designers to have a keen eye for detail and the ability to proofread and spot errors. Communication skills: Designers often need to communicate and collaborate with clients, team members, and stakeholders. Strong communication skills are essential for successful project delivery. Adaptability: The design industry is constantly evolving, and it's important for designers to be adaptable and open to new ideas and technologies. A designer should be able to learn and adopt new skills quickly. Passion for design: Ultimately, the most essential skill for any designer is a passion for design. A designer should have a love and appreciation for design, and a drive to create beautiful, impactful designs that inspire and engage the viewer. In conclusion, these 10 essential graphic design skills are the foundation for success in the field. Whether you're just starting out or are a seasoned designer, continually developing and refining these skills will help you create designs that stand out and deliver results for your clients. #GraphicDesign #Skills #Designer #Photoshop

Motion graphics is a fast-growing field that has become increasingly popular in recent years. However, despite its popularity, there are still many misconceptions about what motion graphics is and what it can do. Here are seven of the most common myths about motion graphics, debunked. 1. Motion graphics is just animation. While the animation is a component of motion graphics, it is not the only element. Motion graphics involves a combination of design, animation, and technology to create engaging and visually appealing content. 2. Motion graphics is only for large companies. Motion graphics can be used by businesses of all sizes, not just large corporations. Small businesses, start-ups, and even freelancers can benefit from using motion graphics to communicate their message and engage with their audience. 3. Motion graphics is too expensive. While the cost of motion graphics can vary depending on the scope of the project, there are many affordable options available for businesses on a budget. Freelancers, for example, can offer their services at a lower cost than larger production companies. 4. Motion graphics is only for advertising. Motion graphics can be used for a wide range of purposes, not just advertising. It can be used in film, television, social media, and even education. 5. Motion graphics is easy to do. While some elements of motion graphics can be easy to create, the process of creating high-quality motion graphics content is complex and requires a high level of skill and creativity. 6. Motion graphics is a passing trend. Motion graphics is not a passing trend but a growing field with a growing demand for high-quality content. As technology continues to advance and businesses become increasingly focused on engaging with their audience, the demand for motion graphics will only continue to grow. 7. Motion graphics is limited to 2D. Motion graphics is not limited to 2D, but can also include 3D animation. 3D animation allows for a more immersive and engaging experience for the audience and can be used to create a wide range of content. In conclusion, motion graphics is a versatile and dynamic field that offers many opportunities for businesses and artists alike. By debunking these common myths, it is easier to understand the true power and potential of motion graphics and how it can be used to create engaging and visually appealing content. #MotionGraphics #Animation #Knowledge

Animation is a visual technique of creating the illusion of motion and change by rapidly displaying a sequence of static images that minimally differ from each other. There are several different types of animation, each with its own unique style and techniques. Some of the most common types of animation include: 2D Animation This type of animation is created by drawing characters and objects on flat surfaces and then animating them in a two-dimensional space. This type of animation is often used for traditional hand-drawn animation and can be created using techniques such as cel animation, digital 2D animation, and stop-motion animation. 3D Animation This type of animation is created by creating characters and objects in a three-dimensional space, which allows for more realism and depth. This type of animation is often used in computer-generated animation, video games, and virtual reality. Stop-Motion Animation This type of animation is created by taking photographs of physical objects and then animating them frame-by-frame to create the illusion of movement. This technique is often used in clay animation, puppet animation, and cut-out animation. Motion Graphics This type of animation combines graphic design elements such as text, images, and shapes with animation techniques to create a moving visual experience. Motion graphics are often used in film and video production, television graphics, advertising, and website design. Flash Animation This type of animation is created using the Adobe Flash software and is characterized by its vector-based graphics, which allow for lightweight and easily scalable animations. Flash animation is often used for web-based animation, such as interactive games and advertisements. Cut-Out Animation This type of animation is created by cutting out characters and objects from flat materials, such as paper or cardboard, and then animating them by moving the cut-out elements frame-by-frame. These are the most common different types of animation, and each type offers its own unique style, techniques, and possibilities. The choice of animation technique will depend on the specific needs of the project, and on the creative vision of the animator. #Animation #MotionGraphics #2dAnimation #3dAnimation

Don't want to follow this tutorial? We have an easy way for achieving this result. Open after effects and create a new composition. I'm calling it glitch logo intro. As always, I'm using the 19 20, by 10 80 Resolution, at 30 frames per second, and my duration is 10 seconds longer. The first step is to import your logo into your project And place it on the timeline. Open the scale, and adjust the scale of it. Now right-click on it, and choose precompose. I'm calling it logo comp. Select move all attributes into the new composition and then hit okay. Now go to the effects and the presets, and search for the Vegas. Place it onto the layer, and let's adjust a few settings. First, change the blend mode to transparent, and then open image contours. Here, change the channels to alpha. It will use the transparent value of your logo, to show the outline around the edges. If you don't have any transparent logo, Then you can select the intensity. Now change the segment value to 1, And then the length value to 0.2. We will animate this stroke later. Let's Scroll down to the bottom, and change the midpoint opacity value to 1. And change the color to the same as the logo. You are free to use any color you want. Let's animate the stroke now. Go to around 15 frames position, and add a keyframe on the length. Then go to the first keyframe position, and change the length value to 0. It will have this Basic stroke animation. Now go to the first frame, and add a keyframe on the rotation. Then go to around 5-second position, And change the first rotation value to 1. Check the animation, and this is how it looks. If you want the duration of the logo animation about 6 seconds, make sure to place the end keyframe on the 6 seconds. Now check this random face, and the stroke will appear randomly. You can also play with the random seed value to get a different look. Perfect. Now select this logo comp, and make a duplicate of it. I'm going to use a different color for the stroke. Right now both strokes are showing On top of each other, So go to the first frame, and change the rotation value to a different one. Let's Keep the value at 70 degrees, and this is how the stroke will look now. Much better. Let's add some glitches now. Create a new adjustment layer, and call it a glitch. Then go to the effects and the presets, and search for the VR digital glitch. Place it on the layer, and it will add this nice-looking glitch to the layer. But we don't need this glitch to show all the time, so I'm going to keep a small portion of the layer, by splitting it into a small parts. Use the control, or command shift D on your keyboard, to split the layer, and delete the long portion. As you can see here, I have only a few frame glitches. You can adjust the duration according to your requirement. Now select both logo comps, And then split them by using the control, or command plus shift on your Keyboard. Place them on top, So that we can arrange the project nicely. Now select the bottom layer, and let's minimize the Vegas to get some room. Again, go to the effects and the presets, and search for the turbulent displace, Place it onto the layer. Let's go to the position where I can see this stroke. Now change the size value to 10, And the amount value to around 100. It will make the stroke electric. You can go with the higher setting if you want, I think I'm going with this one. Now select both layers, and split them. Delete the selected part, select the top layer, and make another duplicate of it. I'm going to place it right here, and also increase the duration of it. Now hide this Vegas effect from it. Again, go to the effects and the presets, and search for the Venetian blinds. Place it onto the layer, and then change the transition completion value to around 11 for now, and the direction value to 90 degrees. Let's keep the transition completion value to 55%, and the width value to 7. It will have this nice-looking effect. Again, go to the effects and the preset, and search for the tint. Apply it onto the layer. and it will remove the colors from this logo layer. Make another duplicate of it, and turn on the Vegas effect. I am going to hide this Venetian blinds, as well as the tint. Let's minimize all effects to get some room, And then change the Vegas width value to around 3. It will create this outline around the edges of the logo. Let's select both layers, and make it a bit shorter by dragging from the edge. Now select the top layer, and make another duplicate of it. We are randomly creating some different looks by using a different effect, and it will create a glitch effect. Now Minimise all effects, then search for the CC ball action, and place it onto the layer. I'm going to hide this Vegas effect as well. Now change the ball size to 50, And then scale this layer to make it bigger than the rest of the layers. I am keeping the scale value of 150%. Let's select these layers, and scale their size as well. I'm randomly increasing the scale values to get a different look. Now we need to turn on this collapse transform option so that the details will remain the same while scaling. So click here to activate it. Also activate it for this Layer as well. In case this switch tab is not available for you, you can right-click here, go to the columns, and choose Switches. Let's adjust the timing, And then make another duplicate of it. Place it right here, then again go to the effects and the presets, and search for the VR digital glitch. Place it onto the layer, and then hide all of the effects. You can also delete the effects which you are not using, And this is how it looks now. Let's change the scale value of it So that it won't look similar to the previous one. I am keeping the scale value of 100%. Not bad. You can also adjust the duration of the layers. So that it will stay only for a few frames. Now make one more duplicate of it, and place it right here. Again, go to the effects and the presets, and this time search for the mosaic. Place it onto the layer, and then turn off the VR digital glitch. I'm changing the horizontal blocks to 250, as well as the vertical blocks to 250. Click on this sharp color option, and this is how the logo will look Now. You can zoom in to your timeline for working on small details. Nice, check the animation and see if you like it. I think I need to change the starting duration of the logo, so select all the top layers, and then place them to the left, so that the first layer should appear only 4 the half-second. Perfect. this is looking much better. Let's move to the next step. Select the top layer, make one more duplicate of it, and place it to the right. Let's increase the length of it, and then Delete all the effects from it. Again go to the effects and the presets, and apply gradient wipe on it. The gradient wipe needs a map layer for working properly, so let's do it. create a new solid layer, and call it a map. Hit okay, and then apply fractal noise on it. Let's change the fractal type to Smeary, and then choose the noise Type to block. Also, click on the invert, and this is how it will look. Now change the contrast value to 180. Again search for the find edges, and place it on this layer. Check this invert option, and It will create this block pattern. Now precompose this map, and call it map. select move all attributes into the new composition, and then hit okay. Now we don't need to actually see this layer, so I'm going to hide it. Now select this logo layer, and then change the gradient layer to the map. If you change the transition value, it will show this kind of Effect. Not bad. Let's animate now. go to around a few frames backward, a few frames at the starting point of the layer, And then add a keyframe on the transition completion. Then go to the end frame position, and change the completion value to 25%. Now press U to reveal all keyframes. I think I need to reverse these keyframes value, so select both keyframes, Right-click on it, go to the keyframe assistant, and select time reverse Keyframes. It will reverse the keyframe values. Let's go to the end keyframe, and change the completion value to 23%. And for the first keyframe, I'm going to keep the value of 75%, and this is how it looks now. This is getting better and better. Now make one more duplicate, and place it right here. In this layer, First, delete the gradient wipe, then go to the effects and the presets, and search for the card Wipe. Place it onto the layer, and first, change the row value to 50, as well as the column value to 50. Now change the transition completion value, so that you can see how it is going to react. Let's change the flip axis to random, and flip direction to random as well. Also, change the flip order from the right to the left. Now go to the starting position of this layer, and change the completion value to 50%. Also, increase the transition width value to 100%, So that the logo will disappear. Now add a keyframe on the transition completion. Let's keep the value 60%, then go to the last frame position, and change the completion value to 100%. Press U to reveal all keyframes, Select both keyframes, and press F9 to Easy ease them. Check the animation, and this is how it looks now. Check the animation, and this is how it looks now. Let's place this top layer in this position so that it will overlap the bottom layer. This looks much better. Now, this is going to be the logo reveal layer, so I'm going to extend its duration. It will stay around 7 seconds on the screen. Perfect. Now minimize all layers by pressing M on your keyboard, then select all layers, right-click on it, and choose precompose. I am calling it logo animation. And then hit okay. Now Select this pre compose, and make a duplicate of it. Select the bottom layer, and call it the logo Reflection floor. Make it 3D by clicking on this icon, then Open rotation, and changing the X rotation value to 90 degrees. Now place this layer in this position. If required, you can adjust the position by using the shift, Plus up and down arrow key on your keyboard. Let's change the rotation angle to 100 degrees, and this is how it looks now. Select this layer once again, then go to the effects and the presets, and search for the compound blur. Place it onto the layer, and we need a texture for it to work as the floor reflection. So create a new solid layer, and call it floor. Use any color you want, and then hit okay. again Go to the effects and the preset, and search for the fractal noise. Place it onto the layer, and change the brightness value to negative 30, and contrast to 150. Place it on the bottom of all layers, and then hide it because we don't need to see it. Now select the logo reflection floor layer, change the blur layer to the floor, and make sure to select the Effect and mask. Now increase the maximum blur value to 250, and this is how the reflection will look now. This is looking much better. Let's add more animation to it. Create a new adjustment layer, and call it CC. Then go to the effects and the presets, and search for the CC lens. Place it onto the layer, and change the size value to 100. Then go to the first frame, and add a keyframe on the size. Then go to around the 5-second position, and change the size value to a higher number, so that the logo will appear normally. And this is how the logo will look now. Let's add some texture to the background. minimize all layers, then open this logo composition. Here Open this map, then select this map layer and copy it. Switch back to the main timeline, and paste this layer Right here. Now We need to add some animation to this layer, So go to the first frame position, and add a keyframe on the evolution. Then go to around 6 seconds duration, and change the first evolution value to 1. It will have these rotations to the texture. Now press t to open opacity, and change the opacity value to 5. Let's keep the value at 10%, and this is how the background will look now. Let's change the blend mode to the screen, and then place it right below the reflection floor layer. Create one more solid layer, and call it background. Use any color you want, and then hit okay. Let’s place it at the bottom of all layers, Then go to the effects and the presets, and search for the gradient ramp. Place it onto the layer, grab these ramp points, and place them like this. Let's change the start color to a different one. I'm going to keep this dark blue color, for the end ramp, I'm using this one. Let's keep this color so that we can focus on the design more. Now select this map, and then apply a tint effect to it. I'm going to change the tint color to this blue one so that it will look better with the design. Check the animation, and this is how it looks now. Now select this CC layer, then go to the effects and the presets, and search for the glow. Place it onto the layer, and then change the glow radius value to 300, As well as change the glow threshold value to 90%. And this is looking much better. Check the animation, and see if you like it. I think I need to adjust the size of this part so that it will look more dynamic. Increase the size of this layer, and it is looking much better. Check the animation, and now we are done. Thank you for watching this tutorial, I will see you in the next one. Till then, good luck, and peace. #AfterEffectsTutorial #LogoAnimation #GamingLogoIntro

Making a digital clock in Adobe After Effects is not that difficult and hardworking all you need just the clock script which is going to do the heard work for you. This script should be pasted in the Text source of your text layer, and you are good to go. In this quick tutorial we are going to see how can we make a easy yet powerful clock using script in After Effects. Make sure to stick to the end. You need to paste this script in the text source of your Text layer, take a look some screenshots and follow the same steps. 1. Create a new text by right clicking on the black area of the timeline, or you can select the text tool and click on the Composition window for creating a new text. 2. Now open text layer, and the add an expression on the Source Text. Please note you have to press and hold the Alt (Windows) or Option (Mac) key on your keyboard to add an expression. 3. Now copy this script below and the paste it in to the expression area. rate = 1; clockStart = 0; function padZero(n){ if (n < 10) return "0" + n else return "" + n } clockTime = Math.max(clockStart + rate*(time - inPoint),0); t = Math.floor(clockTime); min = Math.floor((t%3600)/60); sec = Math.floor(t%60); min + ":" + padZero(sec) Eject from the expression box, and now your text will work like a look. See, this is easy. Hope this tutorial was helpful for you. Leave a like and share with your friends.

Hey everyone, if you are facing the issue where the rotation of the object isn't following the motion path of the object then you are not alone. Rotating an image along with a path might seem difficult, but it is one of the easiest steps you can do. Right here we have a very basic position animation applied to this rocket image. Unfortunately, it is not moving according to science. we want the rotation of this rocket should follow the path so that it looks normal. We can do it very easily. right-click on your layer, go to the transform, and right here at the bottom, we have this auto orient option. Just click on it, and a new window will appear. just select this orient along with the path option, and then hit okay. It will follow this path. Now we just need to change the rotation of it, so that it stays straight at the beginning. #AfterEffects #FixAfterEffects #AfterEffectsTutorial

We just love when our favourite movies gets our adrenaline kicked in with just flashing the name. Like the slimy effect in Goosebumps or the sharp edges effect in IT, helps us know a little more about theme of a movie. But ever wondered how is it done? There is a technique of arranging type (the text that we write) in order to make the writing appear more readable, eye catching and logical called Typography. It can also refer to applied style, arrangement of letters in a text. Just like we need to find a perfect groom (wink, wink) , to find a perfect arrangement of type we need to select various things such as spacing, type faces (fonts) etc. Even if you’re not a designer by any means, everyone like to decorate. Typography Design refers to work relating to fonts and letterforms. You get to add the grooves, decorations, play with words (and get paid for it.). So fun?! New startup? Finding a suitable match is no child’s play. It requires an eagle’s eye and an ant's hard work (feels like I work in a zoo). You need to keep up (not with the Kardashians) but changing trends in design to leave and everlasting effect. And this is where a Logo kicks in. Typography Logo Inspiration can come from various of samples that one can find online from sites like Google fonts, Fonts 1001, Envato Elements or you can always mix and match some up. These sites give numerous of fonts to download keeping you up all day! Now, when one needs to play and manipulate with the typography, what’s better than asking Photoshop? (Please don’t call the owner of the software). Text designer in Photoshop can help you to seamlessly carve out mind blowing text effects. Before designing you must be needing groovy, high quality font styles to light up your texts. 3 main styles you’ll find are: • Serif It is, you can say from the royal family of fonts and is mostly used in professional and co-operate based designs. It can be recognised by its tail like finishing in each alphabet. For eg. Vogue, Forbes (all the Richie Richs). • Sans-Serif This style is already available in most of the Windows Operating System. It is most readily available and widely used. ‘Sans’ basically means without, which in this case is 'without tail'. For eg. Futura, Helvetica. • Decorative This style is mainly us and our imagination kind. They are completely customised as per our will or you can say tailor made. The type and lettering used is very artistic and appealing in a way that no other font style is. For eg. Any movie’s poster. Some other font styles are Tattoo (zap your work a little), Retro (join me in the 90’s?), Script, Scribbled, Comic, Calligraphy (posh!), Scary (what’s that behind you?), Graffiti, Brush and endless more. Now, how would you like if your newly made text comes in rolling or jumping making catching everyone’s eye? Text animation not only helps you to give some effects to your text but it lets you pick up the desired background and throw in a little music too, you’ll have your party at your workplace!. There is something just so mesmerising about the Avengers movie title that just raises hair on one’s arm. Film Title Design describes the craft and design used in the motion picture's title sequences. Same way to keep the ending light and simple, Film End credits also use easy and smooth font styles like Arial or basically any bolder sans serif font for final touch. In Short: Typography enables us to play with the words and lets you add designs and animation in order to make it appealing. There are mainly 3 common font styles but numerous of different categories to choose from. From film titles to magazine covers, all of them use different typography. #Typography #TitleDesign #FilmTitle #TextAnimation

Impact-Site-Verification: -916474554 Do you as well share a hefty amount of time to find the perfect graphic with a perfect colour combo surrounded by perfect pattern? Are your hair turning grey finding that one ultimate list to cover up all the resources for video editing? So how would you feel now, if I tell you, you can find all this at one place, one page? And you won’t be needing any magic lamps because wish granted! From the best designs to best images , ENVATO's got your back. ENVATO has brought forward a spectacular service named Envato Elements which provides the creators and designers with an ever expanding list of digital pros for their projects and encounters. If you need to access a new bunch of stock videos, motion graphic templates, audios, WordPress templates then Envato Elements is exactly what you need. You can dive in their library to find the best and brightest results that match your needs. Subscribing Envato Elements presents you with over 13,000+ presentation templates, 10,000+ video templates, 4000+ fonts and the list is endless like an ocean. Envato Elements offer for around (you might want to sit down for this) 900,000 + downloadable assets with just 2 simple and flabbergasting pricing plans which complimentary are royalty free as well. They are: Monthly: Only $33 (+ applicable local taxes) Yearly: Only $198 (+ applicable local taxes, you’d only have to pay $16.50 p.m) Limits shouldn’t bound one and keeping this in mind Envato Elements frees you from any credit and download limit. And by enrolling and subscribing into any one of the above gives you the powers ( not superpowers, stop imagining) to use the services any number of time in any number of ways. Some target audiences which are benefitted by choosing the right resources for their imaginations are- Website owners willing to have different, varied WordPress themes, web templates, CMS templates (such as Drupal, Joomla, Magento and Shopify) Motion Graphic Designers who have wide liking for different layer elements, titles and after effects templates get over 29000+ items including infographics and product mock-ups. Artists composing music get around 11000 + items and that too royalty free. Also, now we need to filter various elements and templates for our use and some filtering options are- • CMS templates • Graphic Templates • Sound Effects • Stock Videos • Video Templates • Music Envato Elements like to play it simple when it comes to licensing so it’s Royalty Free and you get a preview before finalizing your choice. You get to choose between Project use and Trial use. In Short: One get numerous resources in order to create your dream work like audio, video, font styles, at an affordable price that too without any licensing problems or any limitations on downloading or any copyright issues to give you best results. Click here to check out the Envato Elements today. #Envato #AfterEffects #StockVideos #SoundEffects

Just because Ryan Reynolds and Ryan Gosling have the same first name doesn’t make them the same, does it? Same way just because both Special And Visual are 2 types of effects doesn’t make them alike. Special Effects or SFX are the practical materials used during the film production. They are made on the set only like, the props, aesthetic makeup etc. While the Visual Effects or VFX are the effects which are more digitalized and computerized and are made post the production. Be it almost all Latest Hollywood movies in 2019 or just a Netflix Special Movie almost all of them use Best VFX and SFX possible to give us a realistic experience. Now take Avengers for example. If there’s an action scene that needs to be performed by the computer, but if the budget is already high (due to buying all those capes and shield for Captain America and Thor) , the filmmakers would have to use real explosives for that particular scene. SFX are generally expensive than VFX, but even VFX programmes are no picnic for the pocket of the filmmakers as they too can cost a fortune. But then again, Hulk can’t just go on blowing and smashing off every building on the Manhattan Street, right? Hence, VFX. SFX are tangibly created on the set to create a lifelike surroundings or situations that wouldn’t occur spontaneously. How many times have we held our breaths when your favourite actor gets shot by a bullet and blood stats to pour in along with your tears? Well I’ll save you the misery, all SFX my friend. That WOW factor when the little raptors are almost on the verge of killing Chris Pratt and you almost bite all your nails. Save the anticipation next time, that’s all VFX (or maybe the dinos came back to take revenge after being extinct for 1000 years). Now in this tech savvy world someone to up the game. Best Visual Effects Movies are those, that completely shake the system like Planet of the Apes consists insane amount of VFX where 20 men are jumping and running around pretending to be monkeys ( ticket for one to watch the behind the scenes footage please!). Another Hollywood movies like Avengers: Age of Ultron (my heroes everywhere!) also had insane amount of VFX to show how cool Iron Man can be in his suit (not that we don’t know already). Even the Netflix special series aren’t behind but one step ahead. Who here hasn’t seen Game of Thrones ( you haven’t? Shame, Shame Shame!) . From Flying Dragons breathing fire to Men dressed as cold and vicious Whitewalkers, all VFX. So In short, SFX: Special Effects are the effects which are put in manually by using materialistic props. VFX: Visual effects are the effects which are made post the production and through digital technology such as computer softwares. #VisualEffects #SpecialEffects #ComputerGraphics